(Master Morihei Ueshiba, Founder of Aikido)
Have a great week
Aikido Warrior Fudoshin Dojo,
Chicko Sensei has more than 40 years uninterrupted Aikido experience, is Japan certified and Doshu Ueshiba endorsed. Chicko Sensei’s long history with Aikido includes 10 years exclusively with Sugano Seiichi shihan Sydney, Aikikai Australia and presently (since 1981) with mentor of 35 years, Takeda Yoshinobu shihan, 8th dan (Shonan Aikido Renmei Kamakura, Aiki-kai, Japan).
Joining the Fodoshin collaboration of dojos represents an inspiring new beginning for our dojo. We look to a bright future dedicated to developing our skills in Aikido practice and deepening our knowledge of the philosophical principles that underpin our unique form of budo.
Have a great week and a huge thank you to those who have wished our dojo well in its new path.
Aikido Warrior Fudoshin Dojo
Master Morihei Ueshiba (O’sensei), the Founder of Aikido, authored 3 instructional manuals in his lifetime. The first “Budo Training in Aikido” (originally called “Budo Renshu“) was published in 1933.
“Budo Renshu” contains 166 techniques, all of which are accompanied by hand drawings and training notes. The techniques in the manual represent an interesting blend of Daito Ryu and what would become to be known as Aiki Budo (and then later Aikido).
In the below video, Dojo senior Jeremy Gehrke draws on his studies of Aikido and Daito Ryu to demonstrate some of the techniques found in Budo Renshu and some of their extended applications. Please note the demonstrations are informal only and done with minimal planning or preparation.
Aikido Warrior Dojo
The question of whether breakfalls are really necessary in Aikido is one that seems to attract very different opinions even amongst those who practice in the same school.
I have heard senior practitioners on many occasions argue that breakfalling is pointless, dangerous and really only has a place in demonstrations where the nage needs the uke to make them look good or “wow” the crowd. I have also heard the converse argument to the effect that breakfalling is necessary to learn Aikido at advanced levels and is a critical skill to minimise the possibility of injury at the dojo.
The reality probably lies somewhere in the middle of these arguments. It is also in part influenced by the holder’s perspective as to whether Aikido is primarily a system of self-defence, a health art, a physical manifestation to study philosophical expression, or all of these things and more.
At our dojo, self-projected high falls from techniques are banned. “One flung dung” throws are also not permitted (i.e. techniques where the nage takes no responsibility for being the uke‘s safety anchor). We also have the philosophy of “severe technique – soft throw”.
Notwithstanding, breakfalls are part of our regular practice and dojo culture. Aspects of these falls are practised and studied at every class. There are 2 fundamental reasons for this and both are game changers when it comes to the decision to include breakfalls in Aikido training.
The first is that breakfalling allows us to study the full spectrum of Aikido techniques, including, for example, traditional techniques such as hip, shoulder and drop throws. Without breakfalling skills, many of these traditional techniques developed by O’sensei (the Founder of Aikido) would in effect be denied us. This is because a breakfall is the only option to receive them. While there is no doubt one can study Aikido by excluding traditional applications (and many do) – its just not what we are about.
Secondly, we also hold the view that for Aikido to have self-defence relevance, study of “kuzushi” is fundamental (i.e. the need to completely break the balance of a uke to a execute technique). Once a uke‘s balance is broken, it is critical that they have the full range of ukemi options at their disposal to allow them to land safely, including breakfalls. Admittedly, some Aikidoka regard kuzushi as being unimportant to their study of Aikido and even go as far as to suggest that it is contrary to their philosophical beliefs as to what Aikido is about. However, as that is not the position we hold at the dojo – breakfalling skills again come into play.
In the below video, various techniques are shown where breakfalling skills have been called upon by dojo members over the year to safely receive a technique.
Have a great week
Aikido Warrior Dojo, Brisbane
Master Morihei Ueshiba (O’sensei), the Founder of Aikido, produced 2 instructional manuals for his martial art in the 1930’s.
Evident in both manuals is the time and effort taken to not only write but also make visual representations to support the instruction. For example, in one of the manuals there are 166 techniques, all of which are accompanied by hand drawings to assist the reader.
In the 2nd manual, the instructional aspects are supported by photographs. However, even this would have been painstakingly long process given the relative primitive state of photography at the time.
Unfortunately, and one might even say bizarrely, neither of the manuals appear to be a major reference point for modern aikido practice with the exception of Iwama Aikido. I have heard a number of reasons given for this. However, they also seem to share the common ground that O’Sensei’s pre-war Aikido (or Aikido Budo as it was then labelled) was very different to post-war, hence making the manuals historically interesting but largely irrelevant.
I have long struggled with this argument as it doesn’t align with personal experience. For example, we frequently use the manuals as reference points to inform our practice in our dojo and have found them to be very relevant and insightful in our study of O’Sensei’s Aikido through Aikido Kenkyukai.
In fact I would go as far to say that in substance O’Sensei’s prewar Aikido share many similarities with his post war Aikido. The main differences being that in his later years O’sensei seems to have stopped teaching the more complex pins. Other changes could be described as refinements and at most, alternative variations.
However, don’t take my word for it. Look at the below video and make up your own mind.
In the meantime, I think we at Aikido Warrior Dojo will continue to hold the only written technical teachings of the Founder of Aikido in the highest regard.
Aikido Warrior Dojo
Acknowledgement: The above video was not made by Aikido Warrior Dojo, but by a person who goes by the You tube name of Marius V. While I have never met Marius V, I would like to acknowledge and thank him for his extraordinary work in producing the video.
The notion of ki and its role in Aikido training can be one of the most confusing, obscure and sometimes divisive concepts in our Art. Finding an understandable definition of ki can be quite challenging to say the least, particularly as its meaning differs depending on the context in which the term is used. Cultural and language barriers also pose a challenge.
From a practical Aikido training perspective, however, one of the most readily understandable, pithy and helpful explanations on the subject is that given by Gozo Shioda Sensei in his text Total Aikido: The master course (1997). He states:
“In Aikido we often use the word “ki,” or energy, but this word covers a variety of meanings. “Ki” as it is manifested in the performance of techniques is what we have when the components of correct posture, centre line, breathing, the explosive power of forced energy, timing, etc., come together so that we reach the highest state of perfect balance. It might be said that “ki” is “the mystery of balance.” ……
“Aiki” (i.e. harmonising of energy) means to lose your ego, it is the technique of submitting to the natural flow of the universe. By doing that you can effortlessly realize your own natural self-defending on the situation that is in front of you, and it is by developing this harmony that we find the realization of aikido.”
So, if I’m reading this right, what is being suggested is that ki in Aikido practice should be looked at as the highest state of “perfect balance” that can be acquired through ego free training that focusses on the basics. Sounds like a pretty good way to train to me.
All the best in your training in 2015.
Aikido Warrior Dojo
I just finished watching the latest episode of Dr Who and to my surprise everyone’s favourite time lord appeared to use his Aikido skills – something he hasn’t done in like 35 years. It reminded me that the first time I heard of our martial art was through watching the TV show in the early 70’s.
That’s right, we “whovians” were introduced to Aikido more than a decade before Steven Seagal ripped into his first ikkyo on the big screen. Although I must admit, at the time I thought it was a martial art made up especially for the show.
Throughout his 3 year stint as the 3rd Doctor, Jon Pertwee regularly broke into irriminage, kokynage, sankyo and yoko otshi when needed – all supported by atemi and kiai as appropriate. Not surprisingly, there was a bit of sci fi embellishment thrown in for fun. As I recall the Doctor trained at a dojo located on Venus.
The Doctor also had the honour of being the first 2 legged creature in the universe to actually master the Art in his school. Apparently, prior to the Doctor, the only creatures who had been able to do so had 8 legs!
All the best