O’Sensei

Training Notes: Ushiro ryotedori kotegaeshi

A kotegeashi is an outward wrist turn and traditionally is broadly categorised in Aikido as a kaiten (open and turn) technique.

In the below video Morihiro Saito Sensei demonstrates how kotegaeshi may be applied in circumstances where the uke has pinned the nage’s hands behind their back.

Depending on the Aikido style, the technique is referred to as Ushiro ryotedori kotegaeshi or Ushiro tekubidori kotegaeshi .

ADDITIONAL NOTES

How to release the grip – Pictorial illustration

Additional details

In the below video, Sensei Andy Hathaway of the London Aikido Club explores the Aiki principles underpinning Ushiro ryotedori kotegaeshi . Hathaway Sensei emphasises the importance of getting off-line and the use of balance breaking principles to effectively execute the technique. These principles are particularly important where the uke has a strong grip on the wrists.

Ki aikido approach

In the below video, Koretoshi Maruyama Sensei demonstrates how ushiro ryotedori kotegaeshi is practised in Aikido Yuishinkai. The method of practice is typical of that found in many ki aikido schools inspired by the teachings of Koichi Tohei Sensei.

Have a great week.

Ian Grant
Head Instructor
Aikido Warrior Dojo

Taninzugake demonstration: Katate dori

In the below video, Peter Kelly Sensei, Chief Instructor, Aikido Yuishinkai Australia, gives a demonstration of taninzugake.

In our School, taninzugake (or free form practice) is commonly practiced at the end of each class. This type of practice allows the nage to respond to the selected attack type by using any technique they so choose. The attack type in the video is katate dori, which is a single wrist grab.

Katate dori taninzugake forms part of the Aikido Yuishinkai grading syllabus for 1st kyu (brown belt) gradings.

Have a great week

Ian Grant
Head Instructor
Aikido Warrior Dojo

Searching for O’Sensei – The forgotten manuals of Aikido

Master Morihei Ueshiba (O’sensei), the Founder of Aikido, produced 2 instructional manuals for his martial art in the 1930’s.

Evident in both manuals is the time and effort taken to not only write but also make visual representations to support the instruction. For example, in one of the manuals there are 166 techniques, all of which are accompanied by hand drawings to assist the reader.

In the 2nd manual, the instructional aspects are supported by photographs. However, even this would have been painstakingly long process given the relative primitive state of photography at the time.

Unfortunately, and one might even say bizarrely, neither of the manuals appear to be a major reference point for modern aikido practice with the exception of Iwama Aikido. I have heard a number of reasons given for this. However, they also seem to share the common ground that O’Sensei’s pre-war Aikido (or Aikido Budo as it was then labelled) was very different to post-war, hence making the manuals historically interesting but largely irrelevant.

I have long struggled with this argument as it doesn’t align with personal experience. For example, we frequently use the manuals as reference points to inform our practice in our dojo and have found them to be very relevant and insightful in our study of O’Sensei’s Aikido through Aikido Kenkyukai.

In fact I would go as far to say that in substance O’Sensei’s prewar Aikido share many similarities with his post war Aikido. The main differences being that in his later years O’sensei seems to have stopped teaching the more complex pins. Other changes could be described as refinements and at most, alternative variations.

However, don’t take my word for it. Look at the below video and make up your own mind.

In the meantime, I think we at Aikido Warrior Dojo will continue to hold the only written technical teachings of the Founder of Aikido in the highest regard.

Ian Grant
Dojo Cho
Aikido Warrior Dojo

Acknowledgement: The above video was not made by Aikido Warrior Dojo, but by a person who goes by the You tube name of Marius V. While I have never met Marius V, I would like to acknowledge and thank him for his extraordinary work in producing the video.

Training Notes: Yokomenuchi kokyu nage

In the below video Master Koretoshi Maruyama, Founder of Aikido Yuishinkai, demonstrates and provides instruction on the Aikido technique, yokomenuchi kokyu nage (irimi), as is practiced in our school.

The technique is performed as a response to a yokomenuchi strike, which is a side blow to the head.

Yokomenuchi kokyu nage is a particular useful technique for developing fundamental skills in timing, entering and directly meeting an attack without clashing. We have also found at the dojo that with slight modifications, yokomenuchi kokyu nage (irimi) can be used to effectively deal with non-traditional strikes, including for example a hook punch.

ADDITIONAL NOTES

Origins of technique

Yokomenuchi kokyu nage (irimi) has a long history in Aikido. The technique appears as technique number 42 in O’sensei‘s first technical manual “Budo Renshu” (1934). The notable difference in this early version is that the nage cuts down through the uke‘s neck and also cuts down and then hold’s the wrist of the uke’s attacking arm. (See O’sensei‘s drawings below).

However, the kokyu ho principles necessary to effectively apply the technique remain the same.

In O’sensei’s 2nd manual “Budo” (1938) the roles of nage and uke for the technique are described as follows:

“Uke: Deliver a yokomen strike with your right hand. “Tori (i.e. nage): Step forward on your left foot and use your left te gatana (i.e. hand sword) to neutralise your opponent’s attack, simultaneously striking his face (and down him).”

Kokyu ho principles underpinning technique

Kokyu ho exercises are something that we do a lot of at our dojo as a means of developing internal strength in our techniques. Kokyu ho exercises were the traditional method used by O’sensei to develop “ki power” in his Aikido.

In the below video, Morihei Saito Sensei demonstrates and explains the kokyu ho exercise relevant to yokomenuchi kokyu nage (irimi).

Ian Grant
Head Instructor
Aikido Warrior Dojo, Brisbane

Training notes: Katatedori kokyu ho

In the below videos Morihiro Saito Sensei (1928-2002) demonstrates the basic version of Katatedori kokyu ho.

The application is performed from a single hand grab (katatedori) and is categorised as a breath exercise (kokyu ho) or breath throw (kokyu nage).

Kokyu ho exercises are used in Aikido to assist in developing internal power. They can also be techniques in themselves (kokyu nage) or form key aspects of other techniques. At higher levels of practice kokyu ho principles form part of every technique.

ADDITIONAL NOTES

Technical details

Katatedori kokyu ho – Alternate application (1)

In the following video Donovan Waite Sensei (7th Dan Aikikai) demonstrates an alternate application of katatedori kokyu nage. Waite Sensei’s instruction emphasises the importance of connection. Also of note in this version of the technique is the use of the elbow to effect balance and the pushing away of the uke to complete the technique.

Alternate application (2) – Peter Brady Shihan

In the below video, Peter Brady Shihan (7th Dan Aikikai) provides instruction for an alternate application of Katatedori kokyu ho.

Alternate application (3) – Donovan Waite Sensei

Alternate application (4) – Peter Kelly Sensei

The below video was recorded at our dojo on 12 August 2015 as part of a special class given by Peter Kelly Sensei of Aikido Yuishinkai (Tasmania) on kokyu ho applications in Aikido practice.

Have a great week.

Ian Grant
Head Instructor
Aikido Warrior Dojo, Brisbane