Master Morihei Ueshiba

Training notes: Jo nage kotegaeshi

Maruyama 3In the below video Koretoshi Maruyama Sensei (Aikido Yuishinkai) demonstrates and provides instruction for the Aikido technique kotegaeshi (outer wrist turn) where the nage is armed with a wooden staff (a jo).

Maruyama Sensei particularly emphasises in the video the importance of focusing on the centre point of the jo as measured between the distance of the uke‘s hands.  It is only by focussing movement of the jo at this point that the nage is able to not only retain control of the jo, but also move the uke’s centre so that the conditions for a successful throw are possible.

 

ADDITIONAL NOTES

  • Demonstration by Master Morihei Ueshiba 

In the below video, the Founder of Aikido, Master Morihei Ueshiba (O’sensei), performs jo nage kotegaeshi in free form practice (taninzugake).  The recording was made in 1952.   O’sensei was 69 years old.

 

Have a great week.

Ian Grant
Dojo Cho
Aikido Warrior Dojo

 

 

Moments in breakfall

OLYMPUS DIGITAL CAMERAUkemi (the art of receiving technique) is something we take very seriously at the dojo.  It is not only a critical skill to ensure our safety, but also plays an important role in developing  fundamental skills associated with balance, using relaxed power, correct body movement and flexibility.  Further, it is impossible to learn how to execute a technique unless you have someone willing to receive it.

In every class, there is always a segment dedicated to learning and improving our abilities to receive technique.

In the below video, which was taken at various classes during the year, dojo seniors can be seen using Aikido breakfalls to safely receive technique.  Breakfalls are one of a number of ukemi options that are available to Aikido practitioners when receiving a throw. Another commonly used option, depending on the circumstances, is rolling away.

Have a great week

Ian Grant
Head Instructor
Aikido Warrior

 

 

 

Aikido hip throws for rear chokes – Ushiro kubishime koshi nage

koshi nageUshiro kubishime koshi nage is a traditional Aikido technique which uses a hip throw (koshi nage) as  a defence against a choke attack from the rear (ushiro kubishime).

Aikido hip throws have their origins in a battlefield techniques and not all Aikido schools and dojos train in them.  At Aikido Warrior Dojo, they are a standard inclusion in our training and form part of our commitment to study the Aikido of O’sensei.

bokken koshi nageThey were first introduced into our dojo in early 2014 after permission was granted by Peter Kelly Sensei, Chief Instructor, Aikido Yuishinkai Australia for us to train in them. Since that time we have slowly included a wide range of koshi nage techniques into our standard training repertoire, including ushiro kubishime koshi nage

In the below video Morihiro Saito Sensei (1928-2002) provides instruction on Ushiro kubishime koshi nage as practised by O’Sensei (the Founder of Aikido) in the post-war period of his life.

 

  • Training notes for other koshi nage techniques

See: Unarmed arts by technique – scroll down to “koshi nage” (list is in alphabetical order )

  • Brief Biography – Morihiro Saito Sensei (1928-2002)

saito_seiza_260Morihiro Saito Sensei’s  practice of Aikido spanned 56 years and he is one of the most important teachers in Aikido history.  Saito Sensei was a live-in student of O’sensei for more than 20 years at his home dojo in Iwama, Japan.

Saito Sensei spent his teaching life dedicated to preserving the technical style of Aikido as practised and shown to him by O’sensei in the post-war period.  Without his commitment to preserving the Aikido of the Founder and extensive efforts to record and document his teachings, much of the Aikido of O’sensei would have no doubt been lost.  The Aikido world owes him a great debt.

Ian Grant
Head Instructor
Aikido Warrior Dojo

Breakfalls and Aikido – Are they really necessary?

Ueshiba 5The question of whether breakfalls are really necessary in Aikido is one that seems to attract very different opinions even amongst those who practice in the same school.

I have heard senior practitioners on many occasions argue that breakfalling is pointless, dangerous and really only has a place in demonstrations where the nage needs the uke to make them look good or “wow” the crowd.  I have also heard the converse argument to the effect that breakfalling is necessary to learn Aikido at advanced levels and is a critical skill to minimise the possibility of injury at the dojo.

bokken koshi nageThe reality probably lies somewhere in the middle of these arguments. It is also in part influenced by the holder’s perspective as to whether Aikido is primarily a system of self-defence, a health art, a physical manifestation to study philosophical expression, or all of these things and more.

At our dojo, self-projected high falls from techniques are banned. “One flung dung” throws are also not permitted (i.e. techniques where the nage takes no responsibility for being the uke‘s safety anchor). We also have the philosophy of “severe technique – soft throw”.

OLYMPUS DIGITAL CAMERANotwithstanding, breakfalls are part of our regular practice and dojo culture.  Aspects of these falls are practised and studied at every class.  There are 2 fundamental reasons for this and both are game changers when it comes to the decision to include breakfalls in Aikido training.

Peter KellyThe first is that breakfalling allows us to study the full spectrum of Aikido techniques, including, for example, traditional techniques such as hip, shoulder and drop throws.  Without breakfalling skills, many of these traditional techniques developed by O’sensei (the Founder of Aikido) would in effect be denied us.  This is because a breakfall is the only option to receive them.  While there is no doubt one can study Aikido by excluding traditional applications (and many do) – its just not what we are about.

Secondly, we also hold the view that for Aikido to have self-defence relevance, study of  “kuzushi” is fundamental (i.e. the need to completely break the balance of a uke to a OLYMPUS DIGITAL CAMERAexecute technique). Once a uke‘s balance is broken, it is critical that they have the full range of ukemi options at their disposal to allow them to land safely, including breakfalls. Admittedly, some Aikidoka regard kuzushi as being unimportant to their study of Aikido and even go as far as to suggest that it is contrary to their philosophical beliefs as to what Aikido is about.  However, as that is not the position we hold at the dojo – breakfalling skills again come into play.

In the below video, various techniques are shown where breakfalling skills have been called upon by dojo members over the year to safely receive a technique.

Have a great week

Ian Grant
Head Instructor
Aikido Warrior Dojo, Brisbane

Training notes: Shomenuchi irimi nage

3Irimi nage (or entering throw) is a technique that is unique to Aikido.  Typically it is initially taught as a response to an overhead strike to the temple (shomenuchi).  However, it can be applied against most attack types, including those where the uke is armed with a weapon.

In the below videos Morihiro Saito Sensei (1928-2002) provides instruction on the traditional version of  shomenuchi irimi nage as practised by O’Sensei (the Founder of Aikido) in the immediate post-war period of his life.

The traditional version of irimi nage is a training favourite at our dojo and there would rarely be a training week where some aspect of it is not studied.

  • Basic application (nage initiates)

 

  • Intermediate applications (nage initiates – uke turns to continue attack)

 

  • Advanced applications (uke initiates)

 

ADDITIONAL NOTES

  • Alternate application (1) – Andy Sato Sensei

 

  • Brief Biography – Morihiro Saito Sensei (1928-2002)

saito_seiza_260Morihiro Saito Sensei’s  practice of Aikido spanned 56 years and he is one of the most important teachers in Aikido history.  Saito Sensei was a live-in student of O’sensei for more than 20 years at his home dojo in Iwama, Japan.

Saito Sensei spent his teaching life dedicated to preserving the technical style of Aikido as practised and shown to him by O’sensei in the post-war period.  Without his commitment to preserving the Aikido of the Founder and extensive efforts to record and document his teachings, much of the Aikido of O’sensei would have no doubt been lost.  The Aikido world owes him a great debt.

Have a great weekend

Ian Grant
Head Instructor
Aikido Warrior Dojo