Master Morihei Ueshiba

Budo Manual – Chart of Techniques

336890In the 1930’s Master Morihei Ueshiba (O’sensei), the Founder of Aikido, published two known technical manuals for his Art.  Both manuals are a source of constant reference at our dojo and form an important part of our study of O’Sensei’s Aikido through Aikido Kenkyukai.

The second of the two manuals, and certainly the most well-known, is simply titled Budo (1938).  The content of this 2nd manual is supported by step by step photographs and instructional commentary for each technique.

For a convenient overview of the techniques referenced in the manual see below a chart that was prepared by Preston Aikido Sakura Dojo in Preston, Lancashire, UK.

Budo Chart

 

Ian Grant
Head Instructor
Aikido Warrior Dojo

 

 

Training notes: Shomenuchi ikkyo

Ikkyo Osensei 2In the below video Morihiro Saito Sensei (9th Dan) demonstrates the Aikido technique shomenuchi ikkyo (omote and ura).

In the demonstrated technique, which is based on The Founder’s instruction in the text “Budo” (1938), the nage initiates the application by applying a vertical strike to the face of the uke.

Pinning techniques are referred to as osae waza in Aikido practice. Ikkyo is the “first technique” in osae waza.

 

ADDITIONAL NOTES

  • Technical instruction – Omote and ura applications – Morihiro Saito Sensei

 

  • Shomenuchi ikkyo (omote) – Takemusu Aikido Vol 1.

In the below pictorial demonstration, Morihiro Saito provides instruction on the basic omote application of the technique. Notably in the basic application the nage strikes first.

ikkyo-1-omoteikkyo-2

 

Shomenuchi ikkyo (ura) – Takemusu Aikido, Vol. 1 

In the below pictorial demonstration, Morihiro Saito provides instruction on the basic ura application of the technique. Notably in the basic application outlined below the nage strikes first.

However, the basic ura version is also able to be applied if the nage initiates the strike first.    In the Founder’s 1938 manual it states “When your opponent strikes first with shomen, turn around the attack with irimi tankan, use your right hand to receive the blow and then control your opponent as described..”.

shomen-ikkyo-ura-1shomen-ikkyo-ura-2

 

  • Ikkyo pin

The pin for this technique is often seen done with a form of nikyo pin.  This is not in fact the correct pin.  In the below picture, O’sensei demonstrates the pin for shomenuchi ikkyo.

Osensei ikkyo-pinikkyo in 2 o sensei_1-300x295

 

In his 1933 text “Budo“, Master Morihei Ueshiba (O’sensei) also states that “when pinning your opponent to the ground it is essential that his arm be at a right angle to his body” (see picture).

  • Uke’s arm remains horizontal and in front of nage’s centre

The uke’s arm remains horizontal in the second part of the technique.  The uke’s hand should not be higher than their shoulder or vice versa. The uke’s arm always remains in front of the nage’s centre.

This is the case regardless of whether the technique is performed standing or where uke and nage are both kneeling (suwari waza).

  • Footwork for ki no nagare practice

In the following video Chicko Sensei uses the sword to demonstrate the footwork for entering for omote applications in (ki no nagare) free flowing practice. Ura footwork is also explained.

 

  • Shomenuchi ikkyo – Other Aiki principles for ki no nagare practice

In the below video Chicko Xerri Sensei (6th Dan AKI Aikikai) provides instruction on some of the key Aiki principles that underpin practice of  Shomenuchi ikkyo for free flowing practice (ki no nagare).

Our dojo is part of the Fudoshin Australia Group of dojos  operating under the guidance and mentorship of Chicko Sensei.

The technical aspects underpinning dynamic practice of shomenuchi ikkyo are further explored in the below instructional video featuring Yoshimitsu Yamada Sensei (8th Dan Aikikai).  The uke is a young Donovan Waite Sensei (7th Dan ).

  • Alternate atemi application – Aikido Warrior Fudoshin Dojo

In the below video students from our dojo demonstrate an application of the technique where the elbow is used by the nage to strike and take the initial balance of the uke.

 

  • Demonstration by Morihei Ueshiba, Founder of Aikido 

 

  • Shomenuchi ikkyo – Zagi Waza

In the below video Chicko Xerri Sensei explains the Aiki principles for shomenuchi ikkyo when it is practised from zagi waza/suwari waza (ie where both nage and uke are kneeling).

 

Ian Grant
Dojo Cho
Aikido Warrior Fudoshin Dojo, Brisbane

 

 

 

 

Training notes: Hanmi handachi katate dori shiho nage

Hamni Handachi shiho nageHanmi handachi waza (sometimes called Zagi handachi waza) is a common form of Aikido practice whereby the nage is in a kneeling position and the uke  attacks while standing.  In this type of training the uke has the  advantage of both mobility and height. The nage, however, has the advantage of a lower centre of gravity and a triangular base.

Training in Hanmi handachi waza is particularly beneficial as it develops skills in taking a ukes balance with only minimal lower body movement.  The training also assists in understanding the importance of centre and use of the centre line in Aikido practice.

In the below video, seniors from our dojo demonstrate how we typically practice the Aikido technique Hanmi handachi katate dori shiho nage.  This technique is from the broader Aikido syllabus and is demonstrated both a static attack and where the attack is under motion. The static version that we practice is inspired by O’sensei‘s manual “Budo Renshu“.

 

ADDITIONAL NOTES

  • Alternate single handed version 

In the below video, Master Morihei Useshiba (O’sensei) demonstrates Hanmi handachi katate dori shiho nage from a single grab. Particularly notable in this version is the use of atemi (striking) by the nage.

 

  • Other forms of hanmi handachi katate dori shiho nage

 

Ian Grant
Head Instructor
Aikido Warrior Dojo

 

Hitotsu no tachi – Aikido Yuishinkai

Bokken practice - partnered.In the below video Master Koretoshi Maruyama, Founder of Aikido Yuishinkai, provides instruction for the partnered bokken kata – Hitotsu no tachi as practiced in Aikido Yuishinkai.

Hitotsu no tachi (like all partnered bokken practice in our school) is choreographed with both participants having predetermined movements and roles.

Skills developed through 2 person bokken kata directly transferable to unarmed training include those related to:

  • blending and parrying;
  • timing;
  • using small body movements to generate power and move off-line (this is achieved through correct use of the hips and moving the body as a single entity);
  • Entering and related footwork; and
  • Stillness of mind.

 

The video was recorded in 2012 in Rotterdam as part of an Aikido Yuishinkai International Seminar.  It was made available courtesy of Aikido Yuishinkai International Instructor, Martijn van Hemmen Sensei.

Have a great week.

Ian Grant
Head Instructor
Aikido Warrior Dojo

 

“Four Gods” Bokken Kata – Aikido Yuishinkai

4 GodsIn the below video Master Koretoshi Maruyama, Founder of Aikido Yuishinkai, provides instruction on one of the three major bokken katas practised in Aikido Yuishinkai – “The Four Gods” kata (Shishin no ken).

The video was recorded in 2012 in Rotterdam.  In addition to instruction by Maruyama Sensei, it includes a demonstration of the kata by Aikido Yuishinkai International Instructor, Martijn van Hemmen Sensei.

 

  • Acknowledgements

I would like to thank Martjin Sensei for both making available and giving me permission to publish his video recordings of the 2012 International Aikido Yuishinkai Seminar.

Have a great long weekend.

Ian Grant
Head Instructor
Aikido Warrior Dojo