martial arts Brisbane

Searching for O’Sensei – The forgotten manuals of Aikido

Master Morihei Ueshiba (O’sensei), the Founder of Aikido, produced 2 instructional manuals for his martial art in the 1930’s.

Evident in both manuals is the time and effort taken to not only write but also make visual representations to support the instruction. For example, in one of the manuals there are 166 techniques, all of which are accompanied by hand drawings to assist the reader.

In the 2nd manual, the instructional aspects are supported by photographs. However, even this would have been painstakingly long process given the relative primitive state of photography at the time.

Unfortunately, and one might even say bizarrely, neither of the manuals appear to be a major reference point for modern aikido practice with the exception of Iwama Aikido. I have heard a number of reasons given for this. However, they also seem to share the common ground that O’Sensei’s pre-war Aikido (or Aikido Budo as it was then labelled) was very different to post-war, hence making the manuals historically interesting but largely irrelevant.

I have long struggled with this argument as it doesn’t align with personal experience. For example, we frequently use the manuals as reference points to inform our practice in our dojo and have found them to be very relevant and insightful in our study of O’Sensei’s Aikido through Aikido Kenkyukai.

In fact I would go as far to say that in substance O’Sensei’s prewar Aikido share many similarities with his post war Aikido. The main differences being that in his later years O’sensei seems to have stopped teaching the more complex pins. Other changes could be described as refinements and at most, alternative variations.

However, don’t take my word for it. Look at the below video and make up your own mind.

In the meantime, I think we at Aikido Warrior Dojo will continue to hold the only written technical teachings of the Founder of Aikido in the highest regard.

Ian Grant
Dojo Cho
Aikido Warrior Dojo

Acknowledgement: The above video was not made by Aikido Warrior Dojo, but by a person who goes by the You tube name of Marius V. While I have never met Marius V, I would like to acknowledge and thank him for his extraordinary work in producing the video.

Training notes: Katatedori kokyu ho

In the below videos Morihiro Saito Sensei (1928-2002) demonstrates the basic version of Katatedori kokyu ho.

The application is performed from a single hand grab (katatedori) and is categorised as a breath exercise (kokyu ho) or breath throw (kokyu nage).

Kokyu ho exercises are used in Aikido to assist in developing internal power. They can also be techniques in themselves (kokyu nage) or form key aspects of other techniques. At higher levels of practice kokyu ho principles form part of every technique.

ADDITIONAL NOTES

Technical details

Katatedori kokyu ho – Alternate application (1)

In the following video Donovan Waite Sensei (7th Dan Aikikai) demonstrates an alternate application of katatedori kokyu nage. Waite Sensei’s instruction emphasises the importance of connection. Also of note in this version of the technique is the use of the elbow to effect balance and the pushing away of the uke to complete the technique.

Alternate application (2) – Peter Brady Shihan

In the below video, Peter Brady Shihan (7th Dan Aikikai) provides instruction for an alternate application of Katatedori kokyu ho.

Alternate application (3) – Donovan Waite Sensei

Alternate application (4) – Peter Kelly Sensei

The below video was recorded at our dojo on 12 August 2015 as part of a special class given by Peter Kelly Sensei of Aikido Yuishinkai (Tasmania) on kokyu ho applications in Aikido practice.

Have a great week.

Ian Grant
Head Instructor
Aikido Warrior Dojo, Brisbane

Seoi otoshi and seoi nage – What’s the difference?

While by no means the most commonly practised “drop” technique, seoi otoshi has nonetheless been part of Aikido since its early days. A question often asked whenever seio otoshi is practised in the dojo is what is the difference between a seoi otoshi (shoulder drop) and a seoi nage (shoulder throw)?

Given the fact that both techniques involve the loading of the uke onto the back of the nagi (which is what “seoi”means), the confusion between the techniques is understandable. Its is also a technically trite (albeit correct) response to merely state that seoi nage is something more associated with Judo than Aikido.

From a technical perspective, the distinguishing feature of a seio otoshi is that the nage drops to one or both knees and stays there until the completion of the technique. By comparison, in seoi nage the nage completes the technique from a standing position. Further, a technique is still a seoi nage notwithstanding that the nage may have dropped to one or both knees and then returned to a standing position to complete it.

The below video includes demonstrations of both seio otoshi and seio nage by seniors at our dojo. The video is a compilation from various sources, including gradings and taninzugake (free form) practice.

Have a great week.

Ian Grant
Head Instructor
Aikido Warrior Dojo, Brisbane

Munetsuki irimi nage – Learning from O’Sensei

See below a short video taken at the dojo where we explored munetsuki irimi nage as illustrated in O’Sensei‘s 1938 text “Budo“.

Although difficult to see in the below photo demonstrations featuring O’Sensei, a key technical aspect of the technique is the placement of the nage’s hand on the upper part of the uke’s shoulder. As the technique is executed, this hand eventually ends up immediately below the nage’s armpit. Relaxed and centred execution of the technique is essential to avoid any clash and achieve the necessary off-balancing of the uke.

For the uke, receiving the technique feels a bit like hitting a “wall of feathers”. As you would have noticed in the video, we also played with adding extra atemi. It makes receiving the ukemi a bit more challenging in terms of uke sensitivity but is well worth the experiment.

Big thanks to dojo senior Peter Marendy for joining me in the demo and to Eden for filming it.

ADDITIONAL NOTES

Munetsuki irimi nage – A deeper look

In the below videos Morihiro Saito Sensei (1928-2002) provides instruction on the traditional version of munetsuki irimi nage as practised by O’Sensei (the Founder of Aikido) in the immediate post-war period of his life. Notably the method of execution is the same as that outlined in the “Budo” text.

Brief Biography – Morihiro Saito Sensei (1928-2002)

Morihiro Saito Sensei’s practice of Aikido spanned 56 years and he is one of the most important teachers in Aikido history. Saito Sensei was a live-in student of O’sensei for more than 20 years at his home dojo in Iwama, Japan.

Saito Sensei spent his teaching life dedicated to preserving the technical style of Aikido as practised and shown to him by O’sensei in the post-war period. Without his commitment to preserving the Aikido of the Founder and extensive efforts to record and document his teachings, much of the Aikido of O’sensei would have been lost.

All the best

Ian Grant
Dojo Cho
Aikido Warrior Dojo

Training notes: Ai hanmi katate dori ikkyo

Opposite side one-hand hold wrist grabs are typically one of the first basic attacks that a new student to Aikido is trained to address. Although arguably not a particularly martial or common contemporary attack form, learning to neutralise and redirect an attack of this kind can nonetheless be surprisingly challenging both at static and free-flowing level.

Training to deal with wrist grabs is particularly useful for learning and reinforcing many of the basic principles that underpin our Art. The less aggressive nature of the attack (compared to say a strike) allows the nage (i.e. the receiver of the attack) to more readily focus on such things as correct footwork, moving around the point of contact, basic balance breaking principles, correct posture and movement, maintaining centre and getting off-line.

Cross hand wrist grabs in Aikido practice are referred to as Ai hanmi katate dori, Kosadori or Katate kosa dori. The name used depends on the school and some use the terms interchangeably. Generally speaking, ki aikido schools tend to use the term Katate kosa dori.

In the below video, Mike Jones Sensei (New York Aikikai) demonstrates and provides instruction on the 2 basic forms (omote and ura) of the Aikido technique ikkyo when applied in response to a static cross hand grab. Further detail on how to apply the technique is provided in the Additional Notes section below.

ADDITIONAL NOTES

Kosadori ikkyo omote (Basic) – Morihiro Saito Sensei

See below a photo demonstration (including description) and accompanying video by Morihiro Saito Sensei (9th Dan) of the key elements that make up the basic form of Kosadori ikkyo omote.

*Source: “Morihori Saito’s Complete Guide to Aikido” (2015)

Kosadori ikkyo omote (Basic) – London Aikido Club

The below video provides important training tips by Sensei Andy Hathaway (London Aikido Club) for performing Ai hanmi katate dori/ kosadori ikkyo (omote).

Kosadori ikkyo (ki no nagare) – Aikido Warrior Fudoshin Dojo

In the below video seniors from our dojo demonstrate the way we typically practise kosadori ikkyo at ki no nagare (free flowing) level. Notably, the application incorporates a direct entry movement combined with an atemi intent (i.e. an elbow strike) to break the balance of the uke. As demonstrated in the video, this method of application is more easily learnt by first practising it from shomenuchi ikkyo.

Ai hamni katate dori/kosadori ikkyo (ura) – London Aikido Club

The below videos provides important training tips by Sensei Andy Hathaway (London Aikido Club) for performing the traditional version ura version of Ai hamni katate dori/kosadori ikkyo.

Have a great week

Ian Grant
Head Instructor
Aikido Warrior Dojo, Brisbane