Training – Weapons arts

Working with resistance – Static hand grabs

A standard feature of our practice at the dojo is to train with static hand grabs where strong physical resistance is applied by the uke (the attacking partner). There are many benefits to this type of training, not the least of which is that we have found it to be an effective method of gaining a practical appreciation of the fundamental principles that underlie Aikido based movements and body structure.

morihei-ueshiba-noma-throwPlease be assured that I am not in any way derogating kotai (static) practice where the uke offers full cooperation or at most a dead weight. Far from it and in fact we also include this practice at the dojo. However, if one only practices in this way the risk is the development of an unstated understanding that Aikido can only operate in a static situation with a cooperative uke.

The below video is an informal demonstration of a number of Aikido options for dealing with static hand grab attacks where the attacker is using high levels of physical strength. The demonstrated techniques are performed slowly and with every effort made not to respond with physical strength solutions, but rather responses based on Aikido principles, including those associated with kokyu. The possibility of using atemi (striking) was intentionally excluded to make the exercises more difficult.

Please note the techniques and attack options are not intended to be exhaustive, merely illustrative. The attacks were selected randomly based on what popped into our heads at the time. The Aikido responses were similarly not pre-planned and were selected at random based on what “felt right” to each of us in each circumstance.

Finally, a huge thanks to Eden for dropping down to the dojo and recording the video. Also to my training partner, Jeremy, who graciously agreed to appear in the recording and basically “wing it”.

Ian Grant
Head Instructor
Aikido Warrior Dojo, Brisbane

Training notes – Bokken happo giri (8 direction cut)

10247471_570367973099377_397839042609517328_nBokken arts are not formally examined as part of the grading syllabus in Aikido Yuishinkai until shodan (black belt).  However, due to the many transferable skills that Bokken arts offer in aiding our tai jutsu (unarmed) training it is quite common for students to be introduced to these wooden sword based arts almost from the outset.

Bokken happo giri is an 8  direction shomen cut that makes for an ideal introduction to solo bokken practice.   This multi-direction kata is an excellent aid to learning and developing spatial awareness, proper posture, heaven-man-earth body quality,  balance and footwork while continually moving and cutting in different directions.

Bokken happo giri  is also helpful in developing the ability to maintain focus in all directions while continually turning.  This ability is particularly useful when dealing with multiple attacker situations in unarmed practice.

OLYMPUS DIGITAL CAMERAAt our dojo we regularly practice 3 different forms of bokken happo giri.  These are omote, ura and irimi.  All 3 forms involve an 8 way cut, however, the footwork differs in each. Each form directly translates into our tai jutsu practice by automating correct footwork and centred relaxed movement in our Aikido techniques.

The video demonstration below by our Chief Instructor Peter Kelly Sensei is of bokken happo giri omote.

Ian Grant
Head Instructor
Aikido Warrior Dojo

Related Articles

  1. Pass me a bokken ..better make it a big one (2015)
  2. Training tips – Bokken arts (kata and exercises) (2015)

 

Pass me a bokken….better make it a big one

The challenge of modern aikido is that it exists in a world where most of us typically don’t operate under regular physical load in our daily lives. This impacts on the way we move and the body quality that we adopt in making those movements. By way of comparison, the Founder of Aikido was a farmer and was use to working in a very physical environment for most of his life. The result is that what was natural movement and posture for him, and many of the masters of past, is well … not that natural for us.

OLYMPUS DIGITAL CAMERARecently, a number of us at the dojo have resolved to include heavy bokken training, through the use of a suburito, as part of our regular weapons practice. For those not familiar with the suburito, it’s a heavy bokken that is thicker at the blade than the handle. It is also longer in length than the standard bokken. The benefit of using a suburito for bokken work is that it is a simple and effective method of bringing load into our Aikido practice.

To move the suburito for any length of time (and we are talking minutes) relies on the practitioner abandoning strength based methods and instead using the “natural” principles of posture and movement that form the basis of our Art. The principles to which I refer include being centered, “heaven man earth”, centerline movements, sinking, using major muscle groups to ignite smaller ones, weight transference, “feet move hips”, “silk-reeling”, “yin-yang”’, keeping knees off lock, etc. When these principles are applied, the suburito can be moved with minimum effort.

The effect on bokken kata practice when using a suburito is also quite interesting. I think it would be fair to say that there is an injection of martial integrity introduced into the kata movements. This does not occur because of the weight per se, but rather the disciplined way that you have to move and hold your posture throughout to allow the additional weight of the bokken to be moved with minimum effort. For an example as to how the Aikido Yuishinkai kata “free wielding sword” looks with a heavy bokken see the below demonstration by our Chief Instructor Peter Kelly Sensei.

We have also found that the internal aspects developed using the suburito flow directly on to our unarmed practice. Particularly noticeable benefits include a reduced urge to “muscle techniques” when encountering resistance. The natural reaction is to instead relax and sink. A greater sense of centered movement, both as uke and nage, is also very evident.

Please be assured that I’m not suggesting that the suburito is the be-all and end-all of effective Aikido practice. There are lots of incredibly proficient Aikido practitioners out there who have never even picked up suburito. All I’m saying is that if you are seeking to widen your current training methods for developing the internal principles underpinning our art – its worth a try.

In the meantime, if you’re going to pass me a bokken….better make it a big one.

Ian Grant
Head Instructor
Aikido Warrior Dojo